Showing posts with label pop culture. Show all posts
Showing posts with label pop culture. Show all posts

Thursday, November 29, 2012

Shake Your Groove Thing

The following was originally posted on November 28, 2012 on Kristina's blog.

CHICKS ROCK! is happy to have Kristina back as a guest blogger this week.
Kristina Leonardi is the founder of The Women’s Mosaic. She is a career/life coach, speaker, seminar leader and expert in the areas of career development, work/life wellness and personal growth
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Do you have the discipline to be a free spirit? ~ Gabrielle Roth

 In the movie Silver Linings Playbook, the main characters Pat and Tiffany are in training for a big dance competition that turns out to be much more than a fancy booty shaking contest.  A unique romantic dramedy, it’s a film that shows there is a fine line between sanity and insanity, acceptable versus unacceptable behavior, and the beauty of living life to the beat of your own drum.

In the movie The Sessions, Mark O’Brien is confined to an iron lung 20 hours a day, existing on a gurney unable to move from the neck down, and yet he writes poetry, is a professional journalist and decides to hire a sex surrogate so he can experience the most human of experiences. We go along on his journey (based on a true story!) and find him to be one of the most alive, loving and liberated individuals to have ever lived despite such extreme physical limitations.

And as seen in the movie Lincoln, our 16th president is clearly not your Average Joe.  He was always thinking out of the box, used his quirky sense of humor to diffuse or illuminate situations, and took numerous risks throughout the most heart-wrenching circumstances our country has endured.  He stretched the Constitution to its limit, working within an established framework while implementing his own interpretation and/or bending the rules based on his hard-earned wisdom, keen observations and superior judgement as unprecedented needs arose and critical decisions had to be made in order for progress to occur.

In the conscious movement class I take, we are told to  ‘dance it your way’ and have breaks of  ‘free dance’  where we boogie as we see fit; it’s not chaotic because there is an organized structure and unity contained within the flow as we come back together intermittently as a group throughout the hour.  It’s a super-small class because for many people, when given the opportunity to move and think for themselves, even for just a few moments, is a daunting and uncomfortable feeling; it’s an empowering exercise that requires more effort and less inhibition, and many simply don’t know what to do if they are not following the instructor. And that, my friends, is indicative of a larger problem with implications reaching much farther than a gym studio.

Spielberg’s Lincoln asks, “Do you think we choose to be born? Or are we fitted to the times we’re born into?”  As citizens of the 21st century, we are certainly living in extraordinary times that will require us to become the fullest and most unique beings we are meant to be.  We each have something that needs to be expressed, something that no other person on this planet, no one who has come before or will come after can express. Right now we need new ways of looking at old problems and to change old ways in order deal with new problems, so it’s more important than ever for you to do your own thang, because there is no other way to generate inspiration and birth innovation.

In any era it’s easy to get stuck in past habits and sucked into the zeitgeist of the day.  Resist the urge to follow the herd, fight to honor yourself, think and speak your own thoughts and begin to know and create yourself anew every moment of every day instead of getting swept up by social media, news, commercials, and even your peer groups, work and ethnic cultures or family and friends who are all, consciously or not, forces that can easily grab hold of your mind, body, spirit and/or bank account.  Don’t let your physical characteristics, family roots or societal dictates squash all the rhythms inside you that might be quite different from what those outside influences might have you believe, say or do.

Not sure exactly what your groove thing is? Give me a buzz and I’ll get you started with some basic choreography and point you in the right direction, because ultimately You Should Be Dancing your own steps throughout life, hopefully with a fun disco floor beneath your feet along the way!



P.S. For related thoughts on this topic, check out my posts:  Lucky Charms, A Fool’s Errand and New Rules.

Thursday, June 21, 2012

Don't Worry, Be Happy*


The following was originally posted on June 9, 2011. It is being re-posted as part of our CHICKS ROCK! Summer Retrospective.




CHICKS ROCK! is happy to have Kristina back as a guest blogger this week.


Kristina Leonardi is the founder of The Women’s Mosaic. She is a career/life path consultant, speaker, seminar leader and expert in the areas of women, diversity and personal growth.

As the saying goes, there are three things that are certain in life: death, taxes and change. Change comes in all shapes and sizes, some more scary than others. Climate change, career change, graduations, marriages and relationships changes, TV changes, sex changes, change of residences, and regime change to name a few - and June seems chock full of them!

Most folks have a hard time with change. We'd rather stay comfy and/or miserable rather than letting go of our crutches and seeing what else life might have in store us. We cannot control things but we can control how we respond to them: we can resist and go kicking and screaming or we can accept that change happens, and just go with the flow.

Going with the flow means listening to yourself, and giving yourself what you need at any particular moment. The best way to navigate change is to trust in yourself and be your own best counsel, so it's important to have that 'muscle' in place as you go over the white water rapids of feelings that come with this thing called life.

Change is not always fun, but it's almost always for the better, because change forces growth and growth is good. And once the change happens, we can't be like a goldfish who lived in a fishbowl his whole life but then when put into the ocean still swims around in a little circle as if he were still in a bowl!

David Bowie tells us time can change you but you can't trace time. So this summer, if you feel you are ready to be hatched, then fly, be free! Not quite like Mork's egg, but more like Steve Miller's Eagle or with the help of Bob Marley's Three Little Birds and the wonder of that other Stevie who sings, Don't You Worry 'Bout a Thing.

Monday, March 26, 2012

MAD (Wo)MEN

I've recently been watching the television series MAD MEN for the first time. Ever since it debuted, friends have been telling me "Oh, it's so good. You should watch it. You'll enjoy it."

Now, I'm definitely a big t.v. fan--I watch way too much in general. I like dramas, I love history, of course I should be watching MAD MEN. But I never got into it. I caught an episode or two over time, and it always struck me as a lot of work, somehow. Not that the show was difficult to follow, but on a deeper level I found it a little bit hard to watch. From an artistic standpoint, it's a strong show, and one that I actually do want to experience...and yet....

I never gave it much thought, figuring, if I can live without getting hooked on yet another t.v. show, that's all the better for my life. But yesterday I caught an episode of Melissa Harris-Perry on MSNBC in which she brought up the cultural phenomenon of MAD MEN, and she talked about it in a way that finally made my relationship to the show make sense.

She said: MAD MEN romanticizes an era in which women, people of color, Jews, gays, etc. were treated horribly, yet rather than promoting outrage or even opening people's eyes, the show seems to be inspiring nostalgia for "the good old days" when life was so carefree and days were spent drinking and smoking in the office. Sure, she said, it's nice to think about how much has changed since then, but the more important question is why, at this moment in time, when we're all paying so much lipservice to diversity, are Americans wanting to harken back to "the good old days" of rampant sexism, racism, antisemitism and homophobia? Does a show like MAD MEN prove that these -isms still live closer to the surface than we think they do? Are we really comfortable fantasizing about how mean upper and middle class white men used to be to everyone else?

Television is about escapism, at least for me. I feel the same way about books and movies. Sure, non-fiction is great and sometimes I read or watch to be informed and to learn, but my preference is to be swept away into another world, lifted right out of my overly analytical brain and plopped into some fantasy. I can't do that with MAD MEN, because the world it projects is not a fantasy world to me. It's not a place to lose myself, it's a place where I feel guarded and on edge, and maybe that works for some viewers, but I use t.v. to relax and unwind. What scares me about Melissa Harris-Perry's perspective is that maybe others are using this show as escapism, too, and I don't like the feeling that we as a culture may still be fantasizing about this kind of lifestyle.

Now that I know how I feel about MAD MEN and why, I can put the show where it belongs in my own mind, a watch and enjoy it as such. But when I think about some of the political conversations that are going on right now in the real world (how much control should women really be allowed to have over their reproductive rights? is it okay to shoot an unarmed black teenager, no real reason need be given?) I think the question about what kind of society we are pushing toward is pretty valid.


What do you think? Do you watch MAD MEN? What makes it enjoyable for you?

Monday, February 27, 2012

Rubbing Elbows


I recently returned from the NAACP Image Awards out in Los Angeles, where my second novel, CAMO GIRL was nominated for Outstanding Literary Work for Youth/Teens. It's pretty exciting to be nominated for anything, but especially when I get to go to an award show peppered with celebrities where I can see them up close and personal.


I'm not too big a follower of celebrity gossip. I usually hear the major stories, and I do okay in pop culture conversations, but I'm by no means an expert. I rarely read movie star magazines, I don't always know who is dating whom, and who is starring in her own new reality show, or whose marriage is on the rocks. I'm a casual observer at best.

But, put me in a room packed with television, film and recording stars, and suddenly I'm asking myself how close is too close to pass by Samuel L. Jackson in the crowd without looking like I'm doing it on purpose to try and catch some skin? (Don't worry, I didn't get nearly close enough. Nor would I actually randomly touch a celebrity. Really. Not unless the crowd was jostling just so....)

Ahem. The point of this is that, while I was momentarily starstruck by being in the same room with folks like Viola Davis, L.L. Cool J, Sidney Poitier, Harry Belafonte and Sandra Oh, it's also a surprisingly humanizing thing to see people in person and realize they're not truly larger than life, they simply look like it on t.v.

I've never aspired to the kind of fame that movie stars draw. My definition of success is almost entirely internal--when I feel successful it has more to do with what I've accomplished than how many people are looking when I accomplish it. So I wouldn't expect to fit in in a room of screen actors, but I did fit there, because I realized that I have more in common with them on a human level than it would appear at first glance. We are all just making art, and hoping people like it. We all occasionally wobble in our high heels, or read a wrong word off the teleprompter. We all have to squint at our ticket stub in the dim lighting to find our way to our seat. We all bring a friend or partner along with us, because it's awkward to go it alone in such a weird social setting.

It's less intimidating to be among the stars once they start to seem like people. It's easier to walk up to them and say "I enjoy your work" when I think about how nice it is when other people say that to me. The little glow of their stardom doesn't fade with this realization, but it makes the world seem wider open, as if all the seemingly unattainable things might be closer at hand than we realize.

Monday, February 20, 2012

Women and Children First

As a children's writer, I find myself contending with a lot of different social issues in my work. My personal background and my interests lead me toward topics that can be seen as controversial, especially when these writings are directed at young people.

I often write about race, and about characters with diverse racial backgrounds, and about the history of race relations in America. I sometimes write about sexuality, and teen characters experiencing first romances, dealing with attraction and coming to understand their sexual orientation. I write both boy and girl characters, and sometimes I face questions about what it means to be a woman and write from a boy's perspective.

All of these issues--race, sexuality, gender--fall under the larger umbrella of "identity," which is what a lot of literature (especially young adult literature) deals with. Thus, I spend most of my time thinking about how these issues are portrayed through my characters, within the life of my novels. I spend much less time thinking about how they affect me as a writer.

To be more specific, perhaps I should say that I spend less time thinking about how they affect me professionally. Of course I think about race and gender and sexuality in my own life as a human person, but I've never been the type to consider myself at a disadvantage because of where I stand in the world based on my gender or the color of my skin.

Last week I published an article online with VIDA: Women in Literary Arts about gender and children's literature, in which I took time to reflect upon the social significance of being a woman who writes for children. Here is the article. I came out of the experience of writing the piece feeling great about what I do, but not so great about the place children's literature currently holds in the world. Most children's writers are women, and I think that plays a role in why this culture looks at children's literature as simple and not worthy of much respect. So much of women's work--essential work, like raising and educating children--is looked down upon and disrespected, and that really needs to change. The sooner the better.

Have you ever stopped to think about how gender impacts you in your job or profession? Or, is it obvious? Do you feel the impact every day?

Monday, February 6, 2012

Madame's Legacy

Last week I went to visit the Madame Alexander doll factory, which I was excited to learn is located in NYC's own Harlem neighborhood. I know someone who collects dolls, so I thought it would be fun to take her there. Not only is it a doll factory where the prototype dolls are handmade, it is also a doll hospital where people can send "injured" dolls for repair, and a Heritage Gallery displaying hundreds of classic collectible dolls from the Madame Alexander line.

I don't know much about dolls (that is to say, not any more than I knew back when I was six) but regardless, it's always fun to see something behind the scenes. My favorite thing was learning more about Madame Alexander, the company's founder, who was a pioneering business woman of the 1920s. She founded her doll company in her kitchen in 1923, and over the following decades nurtured it into an internationally respected business.

It turns out, she also developed a lot of the features I took for granted in my own childhood dolls. Madame Alexander was the first doll maker to license literary and film characters for look-alike dolls (like Rhett and Scarlett from Gone with the Wind). She created "sleep" eyes, which are eyelids that close when the doll is lying down. She manufactured the first line of hard plastic dolls in the 1940s. Madame Alexander's Cissy dolls were the first to be modeled after an adult woman's body as opposed to a baby or young girl. (Yes, this was several years pre-Barbie, and Cissy is more properly-proportioned!)

Bottom line: the dolls are really cute! And for me, they become more so when I realize they represent the legacy of a woman who must have faced every challenge the early 20th century posed to talented ambitious women, and still rose to the top doing what she loved. That's inspiring.


Images from madamealexander.com

Monday, December 12, 2011

Flashing Back

I've been doing some historical research lately, and I've spent time looking at archived popular news magazines, like TIME, in the library. I'm looking now at 1968, because that is when my upcoming book is set, and a time I need to get more familiar with, seeing as it's a bit before my time.

The process is really intriguing, not just because of the information my research is uncovering--I expected to learn that stuff--but also because of some unexpected results. The best part of flipping through these old mags is the classic advertisements!

Wow, times have changed. Never has it been clearer to me than when I'm looking at these old ads. Looking at what is considered beautiful (women who aren't stick thin), what is considered fancy (really nice Scotch), what is considered risque (long distance driving) and what is considered cool (great cigarettes) has really transformed in the last forty to fifty years.

Needless to say, some of these changes are for better, and others for worse. It's all subjective. There are lot more drawings in the old ads, in addition to glossy photographs. There's a lot more text to read and absorb. There are a lot more families represented, and a lot fewer celebrity endorsements. Alcohol and cigarette and car ads dominate. It's striking, because booze and smoking have become so taboo in ads in recent years.

The research started out as drudgery, but now I'm loving this project. They say a picture is worth a thousand words...well, the thousand or so pictures I've looked at tell an entire story of a moment in time, and the way the country thought and reacted in those days. It's the closest I've come to feeling like I know what the world "looked" like in 1968. Pretty intriguing!

Is there a time period from the past that you'd like to visit?

Friday, October 21, 2011

Friday Forum: Mistaken Identity

Many of us have celebrities that either people think we look like or we like to think we look like. Whichever it is, it's sometimes fun to think about.

Is there any celebrity you have been or might be mistaken for?

Monday, August 22, 2011

Revisionist Reruns

I'm a bit of a t.v. junkie, I admit. I like my shows and there's nothing better for me at the end of the day than settling in all cozy with a blanket and a beverage and getting lost in someone else's made-up drama, or laughing along with a sitcom, or having my heart race with anticipation as the characters try to catch the bad guys, or get themselves out of whatever scrape they're in.

I'm a sucker for story, and good storytelling in any medium--books, movies, television--is always going to capture me. But television is often less story-based and more character- and situation-based. If I like the characters or relate to their situation, that is what captures my attention.

Different kinds of shows have captured my attention in different times of life. Today, through the magic of Netflix and Hulu and iTunes, I'm able to go back in time and watch shows that I missed the first time around. I've surprised myself lately by tuning into some shows that I glossed over or even disparaged when they were contemporary, but watching them now I find myself hooked.

My changing t.v. preferences seem to speak to how I've changed as a person. Workplace comedies were amusing to me as a teenager, but as I got older and entered the workforce, the humor of them changed because I had seen the real side of those environments. My favorite show ever, The West Wing, (which I've watched all the way through at least three times), I thought was "boring" and "political" when it debuted. I loved FRIENDS from the first time I watched it, and followed it all the way through high school, college and beyond. Every episode. I admired how grown-up and quirky and out-in-the-world they seemed, but once I was out there myself, none of the many similar shows that followed ever captured me in quite the same aspirational way.

It's fun to go back and watch reruns that are new to me, and to catch up with shows I used to enjoy and see how my perspective on them has changed. Beyond sheer entertainment, I learn something about myself in the process.

What t.v. shows do you love, and how have your tastes changed over time?

Monday, August 15, 2011

Considering The Help

I went to see The Help this weekend, dragging my feet all the way. It's a film about a Southern white journalist in 1963 who bravely interviews black housekeepers in an effort to tell the truth about racism in Jackson, Mississippi. I felt resistant because I've followed some controversial articles critiquing the movie for being yet another pop-culture celebration of the (always fictional) white heroes of the civil rights movement.

To be honest, there's very little I can say about the movie that would redeem it from that particular criticism, but there were things I found enjoyable about it anyway. I was glad I chose to support it with my money, for these reasons:

1. It's a phenomenally strong female-driven cast. Men are a subplot in this film, and even then, only barely. As we know from the shocking-but-typical minimization of women in film, that's nothing short of miraculous for a Hollywood blockbuster.

2. Within the ensemble, there's an armload of black actresses who know how to bring it, each of whom got a chance to shine. Far from being minimized, their role in the film was stronger and treated with more respect than I expected.

3. Our spunky heroine enjoys having a man, but doesn't need one. (The movie doesn't need him either, frankly, but perhaps you can't fight Hollywood on too many fronts and still expect to be a blockbuster.)

Overall, I still didn't love the movie, but for unexpected reasons. Here's my problem: If you're going to make a film centered in the world of white housewives, be real about it. I think the film missed a major opportunity to show a more nuanced picture of the civil rights era from a white perspective. The evil housewives are one-dimensional caricatures; they don't seem like real women with struggles and motives and flaws. I would have enjoyed the movie more if it had taken me to the uncomfortable place of sympathizing with them, in all their racist ways, instead of merely mocking their small-mindedness. It's admittedly fun to mock them, but the few real glimpses of their perspective skewed melodramatic, and I felt let down by the way the film turned some very insidious issues toward comedy. Like what it really would have meant for a black woman to defy a white woman in some of the ways the characters do. It didn't feel like a movie set in the 1960s, it felt like a movie made today about the 1960s, and as such it may please the crowd but it fails to tell the truth.

That said, this movie's going to be a blockbuster, and with cause. There's some great stuff in it, and it's definitely worth a look.

So.....go see it, and tell me what you think.

Tuesday, July 19, 2011

Mourning More Than Harry Potter

For a lot of us, the last Harry Potter movie marks the end of an era. We grew up with the books and looked forward to each movie, even if it was just to complain that it was nothing like the book. So while saying goodbye to the books was hard enough, knowing that the movies are also behind us now makes it even more final. And, of course, I was right there with a front-row seat (so to speak) at a midnight showing.

The movie itself was entertaining and even though sometimes it felt like they were trying really hard to tie up loose ends, I thought it did the book justice. It did such a good job at that, that I found myself mourning the series in a way I didn't fully do when I finished reading the books. The deaths in the last book were some of the most intense in the series. Add to that a couple of gut-wrenching storylines and you have an emotionally exhausting experience. But because I read the book so quickly, there were things I missed or things I wasn't able to fully take in until later.

But the truth is, it wasn't just about the books or the movies, it was about everything they represented for me and everything that has changed in my life since finishing the books. I moved out of my parents' home soon after finishing the series, got engaged a few months after that, and have since moved four times and broken up with my fiance. I've lost and gained friends, pounds, and incredible memories. And, yes, a lot of those things were running through my head as I watched the final movie and cried my eyes out. (No, really, it was rather embarrassing for my sisters, who had to deal with my best friend and I sobbing.)

I can't help but appreciate everything the series meant to me and how it's still able to touch me in ways I'd never expect it to. It's rather incredible for "some books about a boy wizard," no?

Friday, July 15, 2011

Friday Forum: Do You Believe in Magic?

It's officially over. With the release of the final film, the magical series that captivated millions around the world is now really over. Whether or not you became a fan, the series left its mark on pop culture.

Did you get caught up in the magic of Harry Potter? Are you watching the movie this weekend to say goodbye to the series?

Monday, June 13, 2011

A Brush and a Mirror

So....dare I say we've all done it? Held a hairbrush (or whatever's handy) as if it's a microphone and practiced our Oscar-winning speech in the mirror? Oh. No? Not everyone? Just me? Well, that's embarrassing....

If you haven't guessed already, I was watching the 65th Annual Tony Awards on TV last night. I'm not an actor, but it's nice to dream. I'm not a playwright, either, but I dabble. Of course, watching the show makes me want to throw it all away and start writing The Great American Stage Play so that someday I might be able to get up on stage and cry and thank a bunch of people. The only thing that stops me is the knowledge that playwriting is not the medium in which I speak best. I'm a novelist because it's what I love, and what I'm good at.

But watching people who have risen to the epitome of their profession is always inspiring. It reassures me that all the hard work might actually be worth it in the end. For my particular world, the Tony/Oscar equivalent is the American Library Association's Youth Media Awards, which are announced in mid-winter and awarded in June at the ALA national conference. I'll be headed down to New Orleans for said conference in a couple of weeks. A few close friends/colleagues have been honored this year and I look forward to celebrating these honors with them.

Full disclosure requires me to admit that my first novel actually won one of these awards, a New Talent award under the Coretta Scott King Awards banner. (Yay!) I've even been to a televised award show (the NAACP Image Awards) for the same book. (Woot.) That was over a year ago, and I'm still very pleased and proud to have earned these mentions, but it doesn't stop me from dreaming of hitting the same jackpot again, and it certainly doesn't stop me from dreaming even bigger.

Who do you thank in your mirror acceptance speeches? If you sincerely dream of being on one of those famous stages, what are you doing RIGHT NOW that might help get you there?

Thursday, June 9, 2011

Don't Worry, Be Happy

CHICKS ROCK! is happy to have Kristina back as a guest blogger this week.

Kristina Leonardi is the founder of The Women’s Mosaic. She is a career/life path consultant, speaker, seminar leader and expert in the areas of women, diversity and personal growth.



As the saying goes, there are three things that are certain in life: death, taxes and change. Change comes in all shapes and sizes, some more scary than others. Climate change, career change, graduations, marriages and relationships changes, TV changes, sex changes, change of residences, and regime change to name a few - and June seems chock full of them!

Most folks have a hard time with change. We'd rather stay comfy and/or miserable rather than letting go of our crutches and seeing what else life might have in store us. We cannot control things but we can control how we respond to them: we can resist and go kicking and screaming or we can accept that change happens, and just go with the flow.

Going with the flow means listening to yourself, and giving yourself what you need at any particular moment. The best way to navigate change is to trust in yourself and be your own best counsel, so it's important to have that 'muscle' in place as you go over the white water rapids of feelings that come with this thing called life.

Change is not always fun, but it's almost always for the better, because change forces growth and growth is good. And once the change happens, we can't be like a goldfish who lived in a fishbowl his whole life but then when put into the ocean still swims around in a little circle as if he were still in a bowl!

David Bowie tells us time can change you but you can't trace time. So this summer, if you feel you are ready to be hatched, then fly, be free! Not quite like Mork's egg, but more like Steve Miller's Eagle or with the help of Bob Marley's Three Little Birds and the wonder of that other Stevie who sings, Don't You Worry 'Bout a Thing.

Tuesday, May 3, 2011

Unleashing My Inner Theater Geek

A little-known fact about me: I had childhood dreams of being on Broadway. In elementary school and junior high, I was in school productions of Guys and Dolls (twice) and West Side Story. My dream role was Anita and I was convinced that when it had its next revival, I would somehow quit my job, audition, and blow everyone away even though I was completely inexperienced. Alas, that didn't happen -- shocker of all shockers, I know.

What did stick from this time was a love for theater. I keep track of upcoming shows, I read reviews, I look out for gossip on my favorite shows... I'm not as obsessive as I could be, it just seems to surprise people how much I care considering I'm not in the business. But on days like today when the Tony nominations come out, I get to blend in with all the other people who are equally excited.

And excited I am! So please forgive me while I get all theater geek on you today.

I got to watch The Book of Mormon just a couple of days before its opening night, and I had a great time. I'm not at all surprised it got 14 nominations, but there are other shows I'm also happy for. The Scottsboro Boys, for example, is one show I missed because it closed so quickly and I was bummed because it seemed like an incredible show. It seems the committee agreed! Nominations for The Merchant of Venice are also well-deserved, and I'm glad Bloody Bloody Andrew Jackson was nominated for something.

I'm surprised Sister Act received so many nominations (it seems a bit boring to me...), but I'm even more surprised that Wonderland wasn't nominated for anything at all. Reviews weren't great and people either love it or hate it, but it doesn't take a genius to see that the costume design on that show is awesome! From the videos I've seen, the lighting is pretty good too. Bummer.

I'll spare you more of my geekiness and leave it at that, but here's a warning that I may be back with another theater-lovin' post when the Tony awards air this summer. Can't. Wait.

Do you love theater? What do you think of the nominations?

Monday, April 25, 2011

Too Tired to Tweet

I find myself experiencing a bit of social networking fatigue lately. I've been active on Facebook for several years and I have a Twitter page, yet I realized recently that it has been about a month since I logged into either account! I often pop in only once a week or so, but now my check-ins seem to have dropped off almost completely. So, what happened? I'm still not exactly sure. It's been a busy couple of months, sure. My computer is old and struggling, true. But I have a smart phone, and I'm genuinely interested in staying connected and finding out what people are up to, my friends and "friends" alike. So why does checking in seem like such an ordeal these days?

I'm worried about my online drought because it feels like things might be passing me by. For instance, Facebook has become a gathering place to let people know about exciting news. On my last few pop-ins (a month ago!) I learned that a good friend had given birth to her first baby, and another had gotten engaged. Changing your status from "in a relationship" to "engaged" is a big deal now, and it seems to be the way a lot of people are making the announcement. If you don't keep up, you don't find out. In all the time that's passed, I'm afraid I've missed similar milestones from others. And I've definitely missed opportunities to keep people updated on good news from my end (positive book reviews and things like that) as well.

I'm hopeful that the tide will turn and I'll soon find myself tweeting up a storm and updating my Facebook status every once in a while, at least. In the meantime, I guess I have to live with the ambiguity of not having seen or read it all. ("Did you see the photos so-and-so posted?" "Oh, I invited you to my party through FB Events.") It's shocking how much our online connections come up in real-life conversation. But instead of making me feel like I'm getting the scoop another way, it just makes me feel more out of the loop.

Are you a frequent social networker? How well do you keep up with all the buzz?

Friday, February 25, 2011

Friday Forum: When Stars Come Out

Oscar weekend is upon us and it's hard to go anywhere without hearing or reading about it: who's nominated, who will win, who's wearing what? This is only a couple of weeks after the Grammys and several weeks after the Golden Globes.

Do you follow the awards season or do you find yourself completely uninterested?

Monday, October 18, 2010

The Flaw in Films

It's possible that many of you are already familiar with the Bechdel Test for women in films (I've also heard it called the Mo Movie Measure), but I found this video by The Feminist Frequency about a surprising phenomenon occurring in many popular feature films today:



If you watched the video, you might not need to read the rest of my post, but here it goes anyway. The Bechdel Test asks three questions of any movie to determine the true presence of women on the screen:

  1. Does the film have more than one woman in it (who has a name)?
  2. Do they talk to each other at some point?
  3. Do they talk about something other than a man?
The first time I heard of this, I felt sure I could immediately name plenty of movies that pass the test. Turned out, I could name some--not plenty--and they weren't always the movies I expected them to be. And it remains truly shocking to me how many of my favorites fail miserably.

How do your long-time favorites stack up? What about any new releases you've checked out lately? Any surprises?

Monday, October 11, 2010

Dancing with Dancing with the Stars

After years of resisting, this season I've finally broken down and started watching ABC's Dancing with the Stars. Friends who know that I'm a former ballroom dancer constantly tell me I've been missing out. ("You'd love this show. You have to watch.") Instead, I studiously avoided it. I couldn't make it through a single episode, because I quickly realized that there's nothing more annoying and painful than watching people do something I enjoy doing when I can't do it myself.

Beginning in college up through my first years living in NYC, I participated in ballroom dancing clubs and classes. I cut out this activity because, after my career transition, it was no longer in my budget. Ballroom dancing lessons are surprisingly expensive! But I haven't stopped thinking about how much I enjoyed a good tango or rumba back in the day. Seeing Dancing with the Stars simply made me sad about it.

I'm not sure what caused me to give the show a second chance this fall. I'm even less sure why I'm not still hating it. I can't quite say I enjoy watching, but something new is going on for me. Perhaps some inner strand of optimism has risen to the surface. Because I've discovered that rather than being something to pine over, the show can be a way to savor something. The memory of my dancing days, plus the hope that I can begin again sometime soon. Better than memory or hope, even, is the potential that the show itself will inspire me to seek new ways of satisfying my desire to dance. Maybe I can locate an inexpensive ballroom class or even find a place to cha-cha my little heart out for free. Because, after having loved and missed something so much for so long, maybe it's time to open the door to opportunities again.

Is there a hobby or activity you've given up that you'd like to bring back into your life?

Friday, September 24, 2010

Friday Forum: Movie Magic

Summer's known for movie blockbusters, but the fall often has Oscar contenders and other great films, especially around the holidays. This year is no different with highly-anticipated movies like Wall Street: Money Never Sleeps (which comes out this weekend) and part one of Harry Potter and the Deathly Hallows.

What are some of the movies you're looking forward to this season?







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